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'Demolition Man' took place in a future where crime had been brought to an end, and society had evolved - or devolved - into a clean and ultra-polite semi-utopia wherein people no longer touched, everyone spoke in a concise and gentle fashion, and nearby machines would issue fines to anyone nearby who let slip a cuss word. It was a notable film for its stars, showcasing Stallone's and Snipes' penchants for action, and offering blockbuster visibility for Bullock, still on the rise in 1993.

'Demolition Man' was a high-profile, big-budget studio tentpole that opened at #1 at the box office and made over $159 million worldwide.

Spartan gets a ticket for each word, gathers a pile of tickets in his hand, and announces that he now has the paper he needs. Those lighter, impish moments are what give 'Demolition Man' many of its more appealing qualities.It's curious, then, that Brambilla's feature film debut should be something as boldly commercial - and as slickly exciting - as the 1993 sci-fi actioner ' Demolition Man' starring Sylvester Stallone, Wesley Snipes, and Sandra Bullock. Spartan, needing toilet paper, walks up to a wall-mounted misdemeanor dispenser and calmly speaks multiple cuss words at it. In one of the film's funnier scenes, Sgt. Stallone capably plays a brusque buffoon who has to get used to a world where he wasn't welcome. The action is great, and the sci-fi intriguing, but the culture clash is where its heart lies. Overall, however, Brambilla's film is a comedy first. It may have an essayic undercurrent of conservatism run amok, and the dangers of a right wing-extrapolated utopia (it came out during the Clinton administration, but the fears lingered).

Indeed, the spirit of prankstership likely informed 'Demolition Man' as a whole. Golf tees up his nose, and Bullock is at ease. While Stallone may not have been a student of the Meisner technique, he clearly had enough wherewithal to keep the tone on set light, and to retain his sense of humor.

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